|
|
|
Karl Bodmer's Illustrations to Prince
Maximillian of Wied-Neuwied's Travels in the Interior of North America 1832-34 Published in Association with the Joslyn Art Museum, Omaha, Nebraska |
Bodmer's AmericaCatalogue of Prints |
| Wahk-ta-ge-li, a Sioux Warrior |
|
|
Engraved by Z. Prevost
Printed by Bougeard | |
| Tableau 8. Wahk-ta-ge-li, a Sioux Warrior | |
| $3,500.00 |
Karl Bodmer painted the original of this portrait of Yankton Sioux chief Wahktageli, or "Gallant
Warrior" -- called "Big Soldier" by the Missouri traders-- at the Sioux agency at Fort Lookout
below Fort Pierre, in what is now the state of South Dakota, during the latter part of May, 1833.
Reportedly a patient sitter, he posed for Bodmer over a two-day period, pausing only occasionally
to smoke the pipe-tomahawk pictured in his left hand.
Standing six and a half feet tall, the subject was approximately sixty years old at the time. He
had painted his face with vermilion, for the occasion, and wore long strings of blue glass beads in
his ears. His buffalo-hide robe, worn with the fur side next to his body, had been tanned to an
amazing whiteness on the reverse. His moccasins, leggings, and shirt were decorated with strips
of dyed porcupine quills. The long fringe on the upper sleeve of his shirt was said to have been
made of human hair taken from the head of a slain Mandan.
The feathers bound to the head by strips of red felt in this portrait are "coup" feathers representing
enemies killed in battle. The silver peace medal suspended from his neck, partially hidden by the
front flap of the shirt, indicates Wahktageli's important status as a chief. Distributed by U. S.
government representatives as tokens of friendship and allegiance, such medals were highly
prized by their recipients and often were buried with them when they died.
As featured in the atlas, the aquatint faithfully reproduces the watercolor portrait of Wahktageli
owned by Joslyn Art Museum. Other Sioux subjects are represented in this series by Vignette
XXX and Tableaux 9, 11, and 12. The woman identified as a Sioux in the title to Tableau 9,
however, probably was a member of the Crow nation who had been adopted by the Sioux or had
married into the tribe.
Text by David Hunt, Director, Stark Museum, Orange, Texas, USA
To contact us: |
|
Alecto Historical Editions - Publications Group |
Phone: +44(0)1702 295929 |