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| Karl Bodmer's Illustrations to Prince Maximillian of Wied-Neuwied's Travels in the Interior of North America 1832-34 Published in Association with the Joslyn Art Museum, Omaha, Nebraska |
Bodmer's AmericaCatalogue of Prints |
The aquatint reproducing Bodmer's view of the landscape at the junction of the Yellowstone and
Missouri rivers was derived from a watercolor he composed in Europe from earlier field sketches.
Made during one or another of the artist's stops at Fort Union, located nearby, but not pictured,
the scene presents a broad panorama of eroded bluffs and an empty expanse of rolling prairie
beyond, devoid of life except for a few birds, at left, and the figures of antelope or deer, at lower
right, which were not featured in the watercolor.
At least two versions of this print are known, showing minor differences in foreground details. The
earlier plate by Salathe does not include the depiction of a bleached bison skull visible in the
lower left foreground of the print credited to Weber. There is also a very slight difference between
the two versions in the positioning of the birds, at upper left. Some variation in the foliage, at left,
also is apparent.
For a view of Fort Union, see Tableau 28 in this series. Other studies of the remarkable landscape
of the upper Missouri above Fort Union are reproduced in Vignette XVIII and Tableaux 34, 35, 37,
40, 41, 44, and 47.
Tableau 29. Printed by Bougeard, engraved in two distinct versions by Salathe
and Weber: possibly a single plate by Salathe, as re-worked by
Weber.
Text by David Hunt, Director, Stark Museum, Orange, Texas, USA
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