|
|
| Karl Bodmer's Illustrations to Prince Maximillian of Wied-Neuwied's Travels in the Interior of North America 1832-34 Published in Association with the Joslyn Art Museum, Omaha, Nebraska |
Bodmer's AmericaCatalogue of Prints |
| Facsimile of an Indian Painting |
|
|
Engraved by Hurlimann
Printed by Bougeard | |
| Tableau 22. Facsimile of an Indian Painting | |
| $1,100.00 |
Plains warriors recorded important tribal events or personal accomplishments through the use of
abstract figures and symbols inscribed or painted on stone, wood, or hide. Toward the latter half
of the nineteenth century, they employed materials such as cloth and paper, obtained in trade,
and began incorporating European styles of imagery and draftsmanship into their story-telling art.
With pencils, paint, and paper supplied by Bodmer, Mandan chief Mato-Tope drew several
pictures for Prince Maximilian, at least one of which was copied by Bodmer for publication in the
atlas. The drawing reproduced here, describing an incident in Mato-Tope's life, shows him
engaged in hand-to-hand combat with a Cheyenne chief, whom he subsequently defeated.
Mato-Tope, at left, brandishes a tomahawk in one hand, while sustaining a wound in the other
hand from the knife he ultimately wrested from his assailant before killing him with it. Influenced,
perhaps, by Bodmer's example as an artist, Mato-Tope pictured himself and the Cheyenne chief
more or less realistically, even attempting some shading or modelling of the figures.
Like Sih-Chida, another Mandan artist, Mato-Tope seems to have gone about his picture-making
in much the same way Bodmer did, first making a pencil drawing and then adding specific color.
His efforts to produce correctly proportioned human figures with clearly defined facial features
stand in marked contrast to the traditional Indian method of drawing to that time.
The original of this subject, included in the Maximilian-Bodmer collection at Joslyn, appears to be
Bodmer's copy, not Mato-Tope's initial drawing.
Portraits of Mato-Tope are reproduced in Tableaux 13 and 14. Sih-Chida is pictured in Tableau 20,
Mato-Tope's fight with the Cheyenne chief also is depicted in the lower left corner of the painted
bison robe featured in Tableau 21.
Text by David Hunt, Director, Stark Museum, Orange, Texas, USA
To contact us: |
|
Alecto Historical Editions - Publications Group |
Phone: +44(0)1702 295929 |